Dance Magazine

• How to Attend College While Dancing Professionally (2024)

• The Paul Taylor Dance Company Revisits Its Radical Roots in a One-Night-Only Performance (2024)

• Do Grades in BFA Programs Really Matter? (2024)

• The Best Dance in This Year’s Oscar-Nominated Films (2024)

• Mark Morris Shares His “Stone Stoup” Kerala Vegetable Stew Recipe (2024)

• [Print Feature] The New York Public Library’s “Border Crossings” Exhibit is Part of a Developing Conversation About Modern Dance’s Radical Roots (2023)

• [Print Feature] How Dancers Help Create the Low-Tech Magic of Onstage Puppetry (2023)

• Martha Graham Dance Company’s Anne Souder Shares Her Substitution-Friendly Potato-Crust Quiche and Only Green Salad Recipe (2023)

• Trisha Brown Dance Company Member Lindsey Jones Shares Her Wild Greens Pesto Recipe (2023)

• [Print Feature] Behind the Scenes with Brittany Nicholas, Dance Captain and Swing in Broadway’s & Juliet (2023)

• New York City Ballet Soloist Miriam Miller Shares Her Leftover Friendly Lentil Salad Recipe (2022)

• [Print Feature] Three Choreographers on Making Memoiristic and Biographical Works (2022)

• [Print Feature] To Post, Or Not To Post? Learn How to Curate Your Digital Dance Footprint (2022)

• [Cover Story] Indiana Woodward: The Ebullient Ballerina With a Human Touch (2022)

• [Cover Feature] Inside the Gibney Company’s Radical Reinvention (2021)

• [Print Feature] Mind-Body Connection Is Key for Dancers. But What Happens When It’s Too Intense? (2021)

• [Cover Story] Blending Butoh, Cunningham and Her Own Enigmatic Style: Mina Nishimura (2021)

• [Print Feature] The Choreographer’s New Skill Set: Working From Home (2020)

• Monica Bill Barnes on Working With Greta Gerwig and the All-Star Cast of Little Women (2019)

• Remembering Lawrence Rhodes: Dancer, Teacher and Director (2019)

The Brooklyn Rail

• [Review] R.O.S.E.: Sharon Eyal and Gai Behar blur the lines between performance and rave. (2024)

New York Jewish Week

• Documentary about celebrity tailor and Holocaust survivor Martin Greenfield premieres in NYC (2024)

• In a one-‘clown’ Off Broadway show, an actor takes the stigma out of mental illness (2024)

• In ‘October 7: In Their Own Words,’ right-wing culture warriors bring Israeli survivors’ accounts to the NY stage (2024)

• The world’s oldest Jewish play inspires a new, immersive production (2024)

• ‘Our Class,’ a timely play asking big questions about antisemitism, makes its New York premiere (2024)

• This Jewish actor plays Richard Dreyfuss in Broadway’s ‘The Shark Is Broken’ (2023)

JSTOR Daily

• Pas de Deux With Cancel Culture: Traditionally set amidst an exoticized conception of India, La Bayadère’s recent staging argues for stripping away stereotypes in the creative reimagination of old ballets. (2024)

Hey Alma

• My Pre-Wedding Mikveh Didn’t Go the Way I Planned, So I Did It My Way (2024)

• ‘The Fabelmans’ Is a Gift to Short Jews Everywhere (2023)

• Some Jews Have an Aversion to Tattoos. This New Trend Might Be the Perfect Alternative. (2022)

Fjord Review

• Dance from the Archives: Performing Artists Mame Diarra Speis and Daniel Alexander Jones on Finding Inspiration in the Toni Morrison Papers (2023)

• Art to Action: Dancing to raise awareness of the climate emergency (2022)

• The Nutcracker on Ice: How four artists working at McMurdo Station created a ballet on the southernmost continent (2022)

• [Review] Ashton in New York: Sarasota Ballet performs at the Joyce Theater (2022)

Tablet Mag

• A Journey to Judaism on Pointe (2019)

Playbill

• Christopher Wheeldon and Wayne McGregor on Adapting Literary Works for Ballet (2024)

• Spotlight on American Ballet Theatre Studio Company (2022)

• How Charlotte Brontë’s Jane Eyre Was Brought to Life for the Ballet Stage (2019)

Musical America

• [Review] Akram Khan’s Darkly Reimagined Giselle for English National Ballet Makes Its New York Debut [2022]

• [Review] At the Joyce: Trisha Brown Dance Turns 50 (2022)

• [Review] City Ballet Opens 2020 with New Ratmansky and Old Friends (2020)

• [Review] Deborah Colker’s Punishing Choreography (2020)

• [Review] New Mark Morris: Clever to a Fault (2019)

• [Review] Navigating Big Dance Theater: A Challenge Worth the Effort (2019)

• [Review] NYCBallet Gala: Choreography Cedes to Couture (2019)

Pointe Magazine

• Maria Kowroski and Lauren Lovette Reunite at New Jersey Ballet (2024)

• [Cover Story] NYCB Soloist Emily Kikta Has Found Her Power Onstage and Off (2024)

• James Whiteside on Returning to the Stage After Injury and His New Podcast (2023)

• [Cover Story] Chloe Misseldine, American Ballet Theatre’s Elegant New Soloist, Is Swiftly Coming Into Her Own (2022)

• Sara Mearns Explores New Realms in Joyce Theater Program (2022)

• 5 New Biographies and Memoirs for the Dancer in Your Life (2021)

• [Cover Story] New York City Ballet’s Mira Nadon: An Artist Beyond Her Years (2021)

• How Quantum Physicist Ballerina Merritt Moore Learned to Dance With a Robot (2020)

• Inside ABT Principal Isabella Boylston’s Dance Bag (2020)

• [Cover Story] Roman Mejia is Carving His Own Path at New York City Ballet (2020)

• New Museum Exhibit Explores the Impact of Ballet and Ballerinas on Mid-Century Fashion (2020)

• ABT Soloist Skylar Brandt’s Whirlwind Experience on Russia’s Best-Loved Ballet Television Show (2019)

• Royal Danish Ballet’s American Leading Ladies: Meet the Four Principals Taking Copenhagen by Storm (2019)

• Remembering Raven Wilkinson, Trailblazing Ballerina (2018)

• Carousel’s Brittany Pollack Takes Us Inside Her Broadway Dressing Room (2018)

• Seeing Double: Insights From The Team Behind Red Sparrow’s Ballet Scenes (2018)

• Nutcracker Secrets and Surprises: The Iconic Ballet’s Path From Critical Flop to Holiday Fixture (2017)

• These 1970s Dancer Recipes May Surprise You (2017)
  

Dance Teacher Magazine

• December Dilemmas: How to Create an Inclusive Studio Environment During the Holiday Season (2022)

• How to Incorporate Voicework Into Your Dancers’ Training (2021)

• So You Want to Make a Piece About COVID-19… (2021)

• Remembering Othella Dallas, Celebrated Dunham Dancer and Teacher (2020)